Bass Musician Magazine, an Online Bass Magazine and Bass Musician Community Designed For Bass Players and Bass Professionals
bass musician magazine
February/March 2010
jonas Hellborg, Bass Musician Magazine Feb 2010
 
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Building Improvisation: Master Your Fingerboard Part V, 2/01/2010
Andrea Fascetti
Meet Andrea Fascetti


Hi my friends!

It's great to be here at Bass Musician Magazine.

Last lesson we created some exercises using Major, Minor, and Dominant 7th chords, so it's time to progress with a new chord. If you remember, earlier on, I spoke about 11 types of chords. I strongly recommend you to take a look at my first lesson in the December 2008 issue.

In this lesson we'll work with the Half Diminished chord. I found that many of my students make a mistake as far as the use this chord. They confuse it's use with a minor 7th chord due to the fact that this chord is often used in a II – V minor cadence--for example D-7b5(or D half diminished)– G7 b9 – Cm.

So it's time to clarify this chord, which is made up of the root, minor third, "diminished fifth", and the minor 7th, as opposed to the minor 7th chord---root, minor third, perfect fifth, and minor 7th. Here's the assignment:
 
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