Bass Musician Magazine, an Online Bass Magazine and Bass Musician Community Designed For Bass Players and Bass Professionals
bass musician magazine
August/September 2009
Bass musician magazine, michael manring
 
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Notes From the Editor
 
 
 
 
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On Location
 
 
 
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International Scene
 
 
 
 
Rock Bass: Artist Spotlight with Biscuit
 
 
 
Progressive Rock Update With Brad Houser
 
 
 
The Latin Pulse with Michael Lazarus
 
 
 
Adam Nitti Technique Series
 
 
 
Bass Lines With Jaime Vazquez
 
 
 
Jazz Studies With Bill Harrison
 
 
 
Jazz Improvisation With Andrea Fascetti
 
 
 
Applied Techniques With Igor Saavedra
 
 
 
Pick's Transcription Workshop
 
 
 
Just a Note With Bruno Tauzin
 
 
 
Thoughts from Oteil
 
 
 
Creating Grooves With David Dyson
 
 
 
Slap Bass With Ray Riendeau
 
 
 
Slap Basics With Doug Johns
 
 
 
Bass Videos With Mark von Bergen
 
 
 
Contrabass Conversations With Jason Heath
 
 
 
Respecting the Music With Phil Baker
 
 
 
The Doctor is In, Dr. Randy Kertz, D.C.
 
 
 
Book and Media Reviews
 
 
 
Recommended Listening With Damian Erskine
 
 
 
 
 
 
 
 
 
 
 
 
 
CD Hotspot With Raul Amador
 
 
 
DVD Reviews With Tim Seisser
 
 
 
Gear Impressions and Luthier Spotlight With Jake Wolf
 
 
 
 
Ask Willis
 
 
 
Tips for Up-and-Coming Bassists with Carl Dawkins
 
 
 
Student Perspective
 
 
 
In the Next Issue
 
 
 

 
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Ups and Downs, 8/01/2009
Meet Phil Baker

"Some books are undeservedly forgotten; none are undeservedly remembered."   -W. H. Auden      1962

"The fire of suffering becomes the light of consciousness."  -Eckhart Tolle    2005

The music biz is tough. Or, to paraphrase Steve Swallow: "The music biz is tough if it's what you want to do, and easy if it's what you have to do."  I've seen great talent waste their careers needlessly, while lesser talent thrived, buoyed by posturing, hype and jive.

In 1983 I played on the "Motown 25" TV show. I was in Diana Ross' band and was honored to back up legends like Marvin Gaye, Smokey Robinson, and Stevie Wonder.  James Jamerson, who was my idol, had preceded me in Diana's band by two bassists. I was shocked to learn after the fact that he had to buy a scalped ticket to get in to the show! This was a TV show that should have had a thirty-minute tribute to him! He died soon after a broken man.

Flash back to 1977. I'm hanging out with my teenage buddies behind the Paramount Theatre in Portland hoping to meet another one of my idols, Jaco Pastorius, who was playing there with Weather Report. Well, as the old saying goes: "You don't want to meet your idols." In this case it was only half true. Although he was obviously under the influence of something, there were pearls of wisdom surrounded by all the bull#$% he was talking.

I guess the point I'm trying to make here is that both men (and many others) died way too early. Yes, both men had substance abuse problems but they also felt that their careers had taken a downturn. If either were alive today they would be worshiped as the iconoclasts that they were. Fashion in music, just like fashion in clothing, is fickle and cyclical. The demand for Jamerson's warm tubby grooves had given way to popping and slapping and synth bass lines but his bass lines on the Motown hits will always be classics. Similarly, Jaco's contribution to Weather Report and several of Joni Mitchell's albums are timeless.

It can be tough as a musician to weather some of the inevitable lows that almost every career faces but if we remember why we started to play music and the joy that playing with gifted musicians can bring it can help us through tough times. Before her comeback Bonnie Raitt said that her record label considered her vinyl records not important enough to release on CD. Guess who had the last laugh.

 
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