Bass Musician Magazine, an Online Bass Magazine and Bass Musician Community Designed For Bass Players and Bass Professionals
bass musician magazine
August/September 2009
Bass musician magazine, michael manring
 
Bass Musician Magazine
 
 
 
Notes From the Editor
 
 
 
 
Cover Features
 
 
 
 
 
On Location
 
 
 
Keep an Eye On
 
 
 
International Scene
 
 
 
 
Rock Bass: Artist Spotlight with Biscuit
 
 
 
Progressive Rock Update With Brad Houser
 
 
 
The Latin Pulse with Michael Lazarus
 
 
 
Adam Nitti Technique Series
 
 
 
Bass Lines With Jaime Vazquez
 
 
 
Jazz Studies With Bill Harrison
 
 
 
Jazz Improvisation With Andrea Fascetti
 
 
 
Applied Techniques With Igor Saavedra
 
 
 
Pick's Transcription Workshop
 
 
 
Just a Note With Bruno Tauzin
 
 
 
Thoughts from Oteil
 
 
 
Creating Grooves With David Dyson
 
 
 
Slap Bass With Ray Riendeau
 
 
 
Slap Basics With Doug Johns
 
 
 
Bass Videos With Mark von Bergen
 
 
 
Contrabass Conversations With Jason Heath
 
 
 
Respecting the Music With Phil Baker
 
 
 
The Doctor is In, Dr. Randy Kertz, D.C.
 
 
 
Book and Media Reviews
 
 
 
Recommended Listening With Damian Erskine
 
 
 
 
 
 
 
 
 
 
 
 
 
CD Hotspot With Raul Amador
 
 
 
DVD Reviews With Tim Seisser
 
 
 
Gear Impressions and Luthier Spotlight With Jake Wolf
 
 
 
 
Ask Willis
 
 
 
Tips for Up-and-Coming Bassists with Carl Dawkins
 
 
 
Student Perspective
 
 
 
In the Next Issue
 
 
 

 
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Thoughts..., 8/01/2009
carl dawkins
Meet Carl Dawkins

So, here I am typing away and trying to figure out exactly how I got here- enough to be able to support myself as a musician, and lucky enough to be writing for this magazine. The point of my columns issue by issue is to help other bass players like myself trying to get into the same situation: progressing as a bass player in the musical world.

Although we all play the same instrument, the reasoning behind why we started bass and why we want to progress at the bass is almost always different. This raises the questions – how come everybody isn't doing it?  The answer is that although we all have different goals and reasons for wanting to play bass. There are a LOT of  bass players doing it and I guarantee that there is always one better or more dedicated than yourself trying to do it.

So, where does this leave us? If everyone is trying to do the same thing, then why bother...?

Wrong. Because as soon as you start thinking this your on a slippery slope! So the first thing that must always be put into practice is 'stay positive'. You could lose the opportunity of a lifetime, but as long as you stay positive then others will come along. Every time an idea falls through or you don't get an audition, you may feel a bit blue for a few days, or even a week, but the longer you stay in this negative frame of mind, the more opportunities you will lose.

Life is all experience and even the bad ones help us. I have had many opportunities come my way – some better than others- and some of them do fall through. Whether it's your fault or just circumstance, all you can do is analyze the situation, don't dwell on it, and move forward. Easier said than done yes, but after the first knockback has settled and you get an even better opportunity come your way, it will be easier to deal with anything that may stand in your way.

Everyone suffers from things that prevent them getting where they want. I guarantee any professional will share their stories or rejection.

Now I know this all sounds very depressing for the for first article, but I thought I would get this covered now because so many young bass players lose there confidence, their desire to play and their want for success early on because they suffer a minor setback and don't know how to - or don't want to - deal with it.

Any feedback, or knockback stories that may be helpful to others then please share them on here!

Thank guys and see you next issue... And remember stay positive!

 
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