Meet Bill "WBGO" Lanphier
Flummoxed. That's a good way to describe someone trying to play
Bulgarian meters for the first time. Actually, even guys familiar with
odd meters, including great drummers who have played with Holdsworth
and Don Ellis—I ain't mentioning names here—sometimes scuffle. They'll
limp along, barely nailing a couple bars, then falling completely apart.
No, we're not talking about just a simple 7/8 or a slower 5/4. Each
measure in a Bulgarian kopanitsa (11/16 subdivided 4+3+4), can whiz by
in just a second. Check out
Farmers Market's thrash Gankino Horo, from the compilation, Balkans Without Borders.
Yes, there are a few isolated examples of super-fast odd meters
scattered around the world, like Venezuela's Merengue, but, by and
large, Bulgarian folk music is home base for the really weird shit.
Plus, the melodies are equally nuts: streams of relentless 16th notes,
over half of them ornamented with mordents, grace notes, or turns.
Fortunately, you and me, as bass players can fall back on quarter notes
and eighth notes when playing Bulgarian music and, for the most part,
can elect to bail on the ornaments (I plead guilty). But, knowing where
to put those quarter and eight notes can confound even the heaviest
studio guys. Actually, simply being able to follow—much less
perform—some of the meters is a real challenge. Read on and learn how,
as a bassist, to meet that challenge and make strange time signatures
groove as hard as any 4/4. Yes, it's true: the good guys are as
comfortable in, say, 13, as Westerners are in 4/4.
HEAR IT FIRST!
The first step is to get the meters into your head. That means not
having to count, for example, each of the 11 beats in the kopanitsa.
Let's go back to something we all know. When you play a funk-style,
16th-note based rhythm in 4/4, you're not counting all 16 of the 16th
notes. You instinctively know (or should know) exactly where each
falls, and you're probably patting your foot on only the quarter notes
and working around those four major pulses.
The same holds true for any fast, odd meter, like the kopanitsa. The
good players don't count all eleven 16th notes zipping by, but you'd
better believe they know exactly where each one falls. That's why they
groove so hard on them.
How do you get the meters into your head? Lots and lots of
listening—that's as important as practicing. If you have sequencing
software, program in the bass examples shown in the "bulgarian meters
pdf" below. Put an accent on the main pulses, loop each example, and
listen to it over and over. You'll be surprised
how listening to the same two bars for just 15 minutes (do this while
cleaning cat litter or doing something equally mindless) will really
open up your head to a new pattern. Listening to recordings (see
suggested listening material) is also important.
NOW PLAY IT!
Once you start to hear the patterns, whip out your bass and play the
two and four-bar examples shown. If you don't have a sequencing program
to play along with, set a metronome so that each click represents a
16th note.
A typical performance tempo for the examples shown would be a quarter
note equals 100 bpm (16th note equals 400 bpm). But you should start
much slower to get a feel for things. For each meter shown, the first
repeated bar or bars is a simple pattern which could be played in a
more traditional context. The second repeated pattern would work in a
more progressive setting.
As you play along, you'll notice that the meters (each of which—believe
it or not—has a Bulgarian folk dance to go along with it) have their
own character and each can, and should, groove hard. Though the
Bulgarians will often play one section faster than the preceding
section, they're capable of a dead-even metronomic pulse. This gives a
strong reference point by which very subtle tempo changes, accelerando,
and ritardando, are possible.
After you've become comfortable with the meter, try playing along with
recordings. Where to find charts with reference mp3s? Get ready for the
hard-sell part of this story. I respectfully submit for your perusal my
highly-acclaimed online songbook,
Bulgarian & Macedonian Instrumentals & Vocals.
It contains over 20 print-ready transcriptions (in hi-rez PDF form), of
great tunes with meters ranging from 2/4 to 18/16, plus mp3s of the
original recordings in normal- and half-speed versions. Check out the
link for more info and reviews, plus audio and transcription samples.
